TheKingOfGalaga
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I think your take on the Craig films is interesting. I'd put them in tiers with Casino Royale and Skyfall at the top, Quantum of Solace and Spectre at the bottom and No Time To Die somewhere in between, although probably closer to the top two. I feel like that's quite a typical ranking.Here's my ranking of the James Bond films (EON only). What's yours?
Casino RoyalRanking Bond themes would be fun.
I guess it depends on how we rank them. Based on popularity, sure, McCartney walks it, but on musical enjoyment it definitely has competitors even as it remains one of the best in that category too.I mean, if we're ranking Bond themes and Live and Let Die doesn't win unanimously, I'm not sure what we're doing here. It's probably the only one where the song is more famous and recognisable than the film.
I think there's usually a split between people putting it either in the mid tier or closer to the upper tier of themes. I've always quite liked it personally.I like Goldeneye but that's because of the number of times I've seen the film. It's probably not widely considered to be decent though, right?
Definitely true - this never really worked for me. It perhaps makes more sense after seeing the film but I'm still not a huge fan. Not necessarily a terrible song although not one of her best.I do also like No Time To Die a lot, but again, it's the sort of song that I can imagine will divide opinion.
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Dr. No (1962) | James Bond Theme | John Barry | Obvious classic, no more needs to be said. | S |
From Russia with Love (1963) | From Russia with Love | Matt Monro | A product of its time and feels old fashioned, but Matt Monro undeniably has a great voice. You have to say that because Sinatra rated him and he'll send the mob after you if you disagree. | B |
Goldfinger (1964) | Goldfinger | Shirley Bassey | Great song. I was thinking about an A but I think a re-listen and appreciating more the contrast with the previous two themes pushes it higher. | S |
Thunderball (1965) | Thunderball | Tom Jones | Not as big of a fan as others are, but it's a powerful vocal and fitting in the Bond music is a neat touch. | B |
You Only Live Twice (1967) | You Only Live Twice | Nancy Sinatra | This is so close to an S. I know there are people who don't rate her vocals, but I don't care. It's great. | A |
On Her Majesty's Secret Service (1969) | On Her Majesty's Secret Service | John Barry | Actually pretty great for an instrumental even as I prefer the ones with lyrics. | B |
On Her Majesty's Secret Service (1969) | We Have All the Time in the World | Louis Armstrong | Technically not the theme (see above) but IDGAF. This is probably one I'm overrating but I've always loved this song. Louis Armstrong and that orchestra is a match made in heaven and it plays over such a poignant moment in the film. Used in the latest film to hauntingly good effect. | S |
Diamonds Are Forever (1971) | Diamonds Are Forever | Shirley Bassey | Very good theme, but it's just not as good as Goldfinger despite those memorable first few seconds. | A |
Live and Let Die (1973) | Live and Let Die | Paul McCartney & Wings | As Jamie said it's perhaps the only theme song to completely transcend the movie it came from. But as great as some of the elements of this song are, I do find some bits of it to be out of place to the detraction of the overall piece. | A |
The Man with the Golden Gun (1974) | The Man with the Golden Gun | Lulu | A lyrical travesty bouncing between ill disguised smut and the inane ("If you want to get rid of someone; The man with the golden gun; Will get it done"), but I like Lulu and she won Eurovision for us so just avoids the D. | C |
The Spy Who Loved Me (1977) | Nobody Does It Better | Carly Simon | Probably the best of the more sultry themes. Very close to an S for me. Also fits in well with that iconic parachute opening sequence. | A |
Moonraker (1979) | Moonraker | Shirley Bassey | It's OK, but easily the weakest of the Bassey themes for me. Also the film is a bit dumb. | B |
For Your Eyes Only (1981) | For Your Eyes Only | Sheena Easton | Pretty good and well sung, but mostly remembered for the fact that Sheena Easton is the only title theme singer to appear in person in the credits sequence. | B |
Octopussy (1983) | All Time High | Rita Coolidge | It's competent but forgettable. Also disappointing they didn't title it Octopussy or even work it into the lyrics. | C |
A View to a Kill (1985) | A View to a Kill | Duran Duran | Some mixed opinions about this, but for me this is a pop-style entry that absolutely works. Helps that I'm a sucker for both Duran Duran and 80s music in general. | A |
The Living Daylights (1987) | The Living Daylights | a-ha | Decent song and I like a-ha a lot, but it's hard to think of this as anything other than it trying to be like the Duran Duran song but failing. | C |
Licence to Kill (1989) | License to Kill | Gladys Knight | Just an OK song, but great vocals. On the threshold with A, but I feel it just lacks something. | B |
GoldenEye (1995) | GoldenEye | Tina Turner | A vocal masterclass by Tina Turner. Most artists who had to sing the film title multiple times in the chorus would just end up mired in disaster. Close to an S. | A |
Tomorrow Never Dies (1997) | Tomorrow Never Dies | Sheryl Crow | A good but not great song. K.D. Lang's Surrender was the second choice and plays over the end credits, and it's always a topic of discussion over which was better - I'm on team Surrender. Had it in C, but the second half elevates it. | B |
The World Is Not Enough (1999) | The World Is Not Enough | Garbage | I like it, but I've never been enamoured by it unlike many others. Not exactly garbage though. | B |
Die Another Day (2002) | Die Another Day | Madonna | Yeah, it didn't work. I don't completely hate the song (although it's far from Madonna's best) but it's a fitting symbol of a film that felt very try hard and as if it was modernisation by committee. | D |
Casino Royale (2006) | You Know My Name | Chris Cornell | I saw Casino Royale quite early and this song always stood out as a banger. The way the gun-barrel sequence is integrated into it makes it even better. RIP. | S |
Quantum of Solace (2008) | Another Way to Die | Jack White & Alicia Keys | Nothing more than audio pollution for me. I do genuinely find it difficult to listen to in parts. | D |
Skyfall (2012) | Skyfall | Adele | A classic theme, perhaps a reaction to some of its immediate predecessors, but one of immaculate quality in every way. | S |
Spectre (2015) | Writing's on the Wall | Sam Smith | One I probably like more than the consensus (it was on the edge of A), but maybe that's because I like Sam Smith's voice so much. | B |
No Time to Die (2021) | No Time to Die | Billie Eilish | Quite divisive. As I said before I think it made more sense after seeing the movie but it doesn't fully work for me. | C |